Feast your ears-
I was going through some old videos this week and found this gem. It was when I was helping generate content for a now-mothballed art blog sister site of Highsnobiety called Curated Mag. I shot this on a 7D pulling manual focus at an exhibit in the Park Avenue Armory. 780p was considered HD back then, haha. I also got some stills (above). Anyway, enjoy-
This week for the first time, I was able to get a couple of snaps of the “The Fearless Girl” by Kristen Visbal. The installation is literally only a couple of blocks from my home, but every time I have stopped by, it had been completely mobbed with tourists. Tuesday’s snow storm provided a nice break in the usual flow of visitors and I was able to get a couple of images. Initially the installation was only supposed to be there for a week. The permit was subsequently extended to a month. Now Public Advocate Letitia James is lobbying to make the installation permanent.
Like everything these days, there is controversy surrounding the piece. I have to admit that when I initially read about it on the morning of International Women’s Day, I was a little bit dismayed to see who had sponsored it, and they had chosen to include their name on the plaque. I thought it was a pretty low brow PR move. Anyway, after seeing the reaction that the piece itself has garnered, as well as the dialogue that it has inspired, I relate to both sides of the argument. At the end of the day, it is a nice piece of art, and symbolizes a very important issue. A few more snaps below–
We may have found a new element to our Christmas tradition this year. Donation night at the Whitney Museum was the night before Christmas eve (photos below). It was actually my first visit to the Whitney at its new location. Which is kind of shameful considering that I lived a walkable distance from it for nearly a year after it opened. Anyway, it wasn’t crowded at all. I would definitely recommend it. Going to a museum after normal hours is always fun.
We kicked up the corny factor a couple of notches and took a photo in front of the tree this year (my idea, of course). Apparently I don’t know what to do with my hands in photos when I’m not throwing deuces. I guess I just go for the self-butt-grab? Anyway, there is our attempt of a Christmas photo. Overall, a successful yuletide celebration. One week to recover before New Years.
We hit a couple of openings over the weekend. Among them was Parra’s latest work, showing at the Joshua Liner Gallery. I’d say that was my favorite of the three. We also stopped by the Allouche Gallery. It is a newish gallery in MePa. We wanted to check out the latest work by Revok. It was quite a departure from his previous stuff. It definitely is not my favorite of his. But I’m still glad we stopped by. We also happened to pop into the Paul Kasmin Gallery after Parra on Thursday night. The IVÁN NAVARRO exhibit is definitely some good intstagram fodder.
When we were in the cab headed home, winter arrived in NYC. It made for some good rainy windshield bokeh, haha.
Grace Farms is a little architectural gem in New Canaan Ct.
Hailing from Auckland NZ, photographer Johnny McCormack came onto my radar this week via Juxtapoz. Jux highlighted a series that McCormack recently published entitled “Homecoming.” While the set could readily be dismissed as just another minimalist collection of cool tones, I really enjoy this project. I admit that part of the allure for me personally is the way that the images of the snowy mountains lit by low winter sun resonate with my fond memories of growing up in the Rockies. Personal sentiments aside, I think that the aesthetic presented in this collection has the ability to evoke a certain mood in anyone. McCormack describes the project saying:
HOMECOMING stems from the ‘out takes’ whilst travelling internationally to shoot commercial and editorial work for over a period of sixteen consecutive winters. Shot on the outskirts of the pacific rim, paying close attention to the notion of a return and yearning for ‘home’ a body of work began to unravel.
Being far from home, finding solace adrift in strange and incongruous territories, places of wonder and curiosity – the photographer attempts a sense of belonging via his lens while living and operating within transient circumstances.
The resulting landscapes evidence places of retreat and pilgrimage – for the viewer, potentially to also find a way to return home.
The city of Ostend, Belgium hosts the (mostly) large scale art festival called The Crystal Ship. Among the participating artists are a couple of my favorites. The Belgian native Roa contributed to the collection (image directly above and below). I love his stuff, and actually met him a while back.
Faith47 was also a contributor to The Crystal Ship (second to bottom). She has a huge piece that I love in DUMBO painted in an underpass. She also has a really cool piece at Wynwood. But I’m seriously digging this piece.
Finally, I seriously love perspective pieces. There are a few pretty cool ones painted for the festival. But my favorite is the one by 1010 (bottom image). Hoping to be able to check these all out in person, at some point. Check the full recap on Juxtapoz.
All Images Via Juxtapoz
It was Armory week in NYC. I didn’t actually go to the Armory show this year. Nor did I go to Scope or Pulse, which I have really liked in past years. I did, however, go to Art of Paper for the first time ever. Mostly I went because it was at Pier 36, which is walkable from our apt. There was some decent work. Nothing blew me away. I have included images of a few of my favorites.
The light was very nice when we left. Here are some snaps from the walk home along the East River.
Lastly, I borrowed this old 35mm beaut (below) from my amigo over the weekend. I bought a bunch of film on Amazon today. Should be loaded up ready to snap by the end of the week. Very excited about it.